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10,000 Dreams: A Celebration of Asian Choreography

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A blossoming initiative to recognize and elevate Asian creatives working in ballet will grace Kennedy Center stages as a weeklong festival! Curated by the Kennedy Center and Phil Chan, 10,000 Dreams: A Celebration of Asian Choreography shines the spotlight on Asian and Asian American choreographers.

Jun. 18 - 23, 2024

Production Information

  • Genre

    Ballet

  • Presenting Sponsor

    Bank of America

Washington Ballet in Fives. Photo by Dean Alexander.

Program

A blossoming initiative to recognize and elevate Asian creatives working in ballet will grace Kennedy Center stages as a weeklong festival! 10,000 Dreams: A Celebration of Asian Choreography shines the spotlight on Asian and Asian American choreographers representing their ethnic heritages of Singapore, China, Japan, Taiwan, the Philippines, and more.

Curated by the Kennedy Center and Phil Chan, a Kennedy Center Next 50 leader and co-founder of Final Bow for Yellowface, this celebration will feature a gala and two mixed repertory programs of works all by Asian choreographers, including several new premieres.

The Washington Ballet, Pacific Northwest BalletSingapore BalletGoh BalletDana Tai Soon Burgess Dance CompanyBallet West, Houston Ballet, and dancers from the National Ballet of China will be joining the festivities.

The gala night will have a special focus on the late Choo San Goh, who Chan believes “should be recognized as a great American choreographer and a trailblazer for our community.” A Singaporean-born choreographer of Chinese descent who died in 1987 at the age of 39, Goh served as resident choreographer for Washington Ballet for nearly a decade, contributing works to American Ballet Theatre, Alvin Ailey, Paris Opera, the Royal Danish Ballet, Houston Ballet, and Boston Ballet, among many others companies around the world.

This festival serves as an extension of Final Bow for Yellowface/Gold Standard Arts Foundation, with a shared mission of making ballet more inclusive. Conceived in 2017 following a meeting with NYCB's former Artistic Director Peter Martins about Asian stereotypes in The Nutcracker, the globally recognized initiative works to “replace caricature with character”—to speak up against Yellowface on ballet stages and create Asian representations that are culturally meaningful and engaging to all audiences.

 

> Why 10,000 Dreams? 10,000 is the “biggest” number in many Asian languages—suggesting a number so large it is almost uncountable!


Program A

Tue., June 18 at 7:30 p.m.
Wed., June 19 at 7:30 p.m.
Thu., June 20 at 7:30 p.m.

  • THE WASHINGTON BALLET

    home-coming

    By Brett Ishida

  • Ballet West

    Play on Impulse

    By Caili Quan

  • PACIFIC NORTHWEST BALLET

    The Veil Between Worlds

    By Edwaard Liang


Special One-Night-Only Event

Fri., June 21 at 7:30 p.m.

Join us in honoring the history and legacy of trailblazer Choo San Goh. This one-night-only program features national and international companies performing works by Goh, Phil Chan, and Dana Tai Soon Burgess.

Further honoring Choo San Goh from the stage, the evening includes other special performances and speeches by Janek Schergen, Chan Hon Goh, Georgina Pazcoguin, and more.

  • SINGAPORE BALLET

    Momentum

    By Choo San Goh

  • BALLET WEST

    Amber Waves

    By Phil Chan

  • GOH BALLET WITH DANCERS FROM NATIONAL BALLET OF CHINA

    Ballade

    By Choo San Goh

  • DANA TAI SOON BURGESS DANCE COMPANY

    A Tribute to Marian Anderson

    By Dana Tai Soon Burgess

  • GEORGINA PAZCOGUIN

    TBA new work

  • THE WASHINGTON BALLET

    Fives

    By Choo San Goh


Program B

Sat., June 22 at 1:30 & 7:30 p.m.
Sun., June 23 at 1:30 p.m.

  • HOUSTON BALLET

    Elapse

    By Disha Zhang

  • BALLET West

    Somewhere in Time

    By Zhong-Jing Fang

  • THE WASHINGTON BALLET

    Fives

    By Choo San Goh

Series

Washington Ballet in Fives. Photo by Dean Alexander.

10,000 Dreams:
A Celebration of Asian Choreography

Explore more in-depth information about the festival and the participating choreographers and companies.

10,000 Dreams Events & Performances

Millennium Stage Films

Extraordinary Cinema: 10,000 Dreams: A Festival of Asian Choreography

Fri. Jun. 14, 2024 8:30p.m.

Join us for free film screenings outdoors on the REACH Video Wall. Films start at sundown or around 8:30 p.m.

This week’s Extraordinary Cinema is curated in conjunction with the Kennedy Center’s upcoming engagement of 10,000 Dreams: A Celebration of Asian Choreography. This week’s film screening presents a series of short films—some dance films, others dance documentaries—all led, directed, choreographed, or featuring the stories of Asian creatives in dance.

10,000 Dreams: A Celebration of Asian Choreography

Jun. 18 - 23, 2024

A blossoming initiative to recognize and elevate Asian creatives working in ballet will grace Kennedy Center stages as a weeklong festival! Curated by the Kennedy Center and Phil Chan, 10,000 Dreams: A Celebration of Asian Choreography shines the spotlight on Asian and Asian American choreographers.

Let’s Talk Dance:
Asian Creatives in Ballet

Wed. Jun. 19, 2024

This conversation will focus on the choreographic voice alongside the Asian experience in the ballet world, and how the panelists’ identities and life journeys have informed their choreographic processes. Panelists include Phil Chan, Edwaard Liang, Dana Tai Soon Burgess, and Georgina Pazcoguin, along with moderator Jane Raleigh.

The Trailblazing Power of Choo San Goh

Presented as part of 10,000 Dreams, a one-night-only special performance honors late choreographer Choo San Goh. Co-curator Phil Chan, and three representatives of participating companies—Artistic Director of Singapore Ballet Janek Schergen, Artistic Director of The Washington Ballet Edwaard Liang, and Artistic Director of Houston Ballet Julie Kent—spoke on the lasting legacy and impact on contemporary dance of the Asian dance pioneer.

Quote

“We want ballet to survive and be relevant. Ballet could be radical and relevant and moves you and makes you feel alive.”

Phil Chan

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