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Millennium Stage (In-Person and Livestream)
Jake Blount and Mali Obomsawin
Millennium Stage
Jake Blount and Mali Obomsawin are two award-winning performing artists who have joined forces on their Smithsonian Folkways release, symbiont (2024). Blount is a renowned interpreter of Black folk music, and Obomsawin is a celebrated composer and bassist-vocalist.
A Celebration of Native American Heritage Month
Online advance reservations for a given performance date will open on a rolling basis, opening every Wednesday two weeks out from the date.
Sat. Nov. 9, 2024
Sat. Nov. 9, 2024 6p.m.
Genre
Folk
Price
FREE
Part of a series
Ticket limit
4
A Celebration of Native American Heritage Month
Jake Blount and Mali Obomsawin are two award-winning performing artists who have joined forces on their Smithsonian Folkways release, symbiont (2024).
Blount (pronounced: blunt) is a renowned interpreter of Black folk music, recognized for his skill as a string band musician and his unprecedented Afrofuturist work in sound archives and song collections. In his hands, the banjo, fiddle, electric guitar and synthesizer become ceremonial objects used to channel the insurgent creativity of his forebears.
Obomsawin (Odanak First Nation) is a celebrated composer and bassist-vocalist in free jazz and experimental music. Known for her evocative and ground-breaking debut Sweet Tooth (2022), Obomsawin’s work as a composer and bandleader centers on the imprint of Indigenous music traditions in jazz and “American” genres, using historical, archival, and community research as a spine for improvisation. Obomsawin’s shoegaze project with guitarist Magdalena Abrego “Deerlady” also released music in early 2024 and has quickly won over young punks and sad girls across Indian Country—cinching Obomsawin’s reputation as an artist uncontainable by genre.
On symbiont, Obomsawin’s and Blount’s “genrequeer” approach to their respective traditions has earned a place in some of the very same archives from which they extract their repertoire. In defiance of genre categories, revisionist histories, and linear time, Blount and Obomsawin have fashioned an Indigenous and Afrofuturist folklore that disintegrates the boundaries between acoustic and electric, artist and medium, and ancestor and progeny.
For all Millennium Stage performances, a limited number of advance reservations are available on a first come, first served basis. Advance reservations do not guarantee a seat, and patrons are encouraged to arrive early.
Online advance reservations for a given performance date will open on a rolling basis, opening every Wednesday two weeks out from the date.
For live Millennium Stage performances free tickets will also be available at the Hall of States Box Office on the day of the performance, beginning at 4:30 p.m.
Seating is first come, first served. Standing room is available behind the seated area as space allows.
All events and artists subject to change without prior notice.
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