²ÝÝ®ÊÓƵÃâ·Ñ°æapp

National Bunraku Theatre

Terrace Theater

This year, Japan Society’s annual Kennedy Center presentation highlights traditional Japanese puppet theater through the National Theatre, which for the first time in nearly two decades returns to the U.S. See two quintessential masterpiece scenes from the Theatre’s repertoire.

Oct. 8 - 9, 2024

  • Tue. Oct. 8, 2024 7:30p.m.

  • Wed. Oct. 9, 2024 7:30p.m.

Production Information

  • Genre

    Dance

  • Presenting Sponsor

    Bank of America

Japan Society’s The Love Suicide at Sonezaki. Photo by Tomoko Ogawa

Program

²ÝÝ®ÊÓƵÃâ·Ñ°æapp has a decades-long commitment to presenting Japanese arts and culture, and annually partners with Japan Society, New York, to feature a touring production. This year’s presentation highlights traditional Japanese puppet theater through the National Theatre, which for the first time in nearly two decades returns to the U.S. in a five-city tour organized by the Society.

Known for its unique puppetry technique developed in the mid-18th century involving three-person manipulation, the National Theatre offers two quintessential masterpiece scenes from its repertoire. The Forest by the Tenjin Shrine scene from The Love Suicides at Sonezaki (Sonezaki Shinju) is a tragic tale written by Chikamatsu Monzaemon, who is often referred to as Japan’s Shakespeare. The Fire Watchtower scene from Oshichi, the Greengrocer’s Daughter (Date Musume Koi no Higanoko) depicts a woman’s desperate act to save her lover. Three puppeteers make each half-life-size doll act out a dramatic narrative in delicate, uncannily realistic movements alongside live chanting and music from a shamisen (a three-stringed instrument resembling a lute or banjo). It’s a distinctive configuration designated by UNESCO as “the Intangible Cultural Heritage” aligned with noh and kabuki. The National Theatre’s U.S. tour is supported, in-part, by ALL NIPPON AIRWYAS CO., LTD., Kikkoman Corporation, and Suntory Holdings Limited.

Quote

“[The puppeteers] invite the audience into a wonderfully mysterious and very special world.”

JAPAN Forward

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