Media What I Do
How do artists make decisions about what audiences see and hear on stage? What I Do explores the behind the scenes decisions through eyes of the artists who make them.
How do artists make decisions about what audiences see and hear on stage? What I Do explores the behind the scenes decisions through eyes of the artists who make them.
David Bengali describes his approach as the projection designer for the Kennedy Center Theater for Young Audiences’ production of Kid Prince and Pablo, an adaptation of Mark Twain’s novel The Prince and the Pauper.
David Bengali, who designed projections for Kid Prince and Pablo, describes projection design clearly in this episode of What I Do: “Projection designers are responsible for all the filmmaking stuff that happens on stage.” Projection designers create everything that is projected onstage, including filmed footage, live footage of actors on stage, and photos. Projection design is highly collaborative, and designers like David work closely with lighting, sound, scenic, and costume designers, as well as directors and choreographers, to create the world of the play. Projection designers help to create the setting for a production’s story to unfold.
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January 19, 2023
How do artists make decisions about what audiences see and hear on stage? What I Do explores the behind the scenes decisions through eyes of the artists who make them.
Take a peek behind the red curtain and discover the artistry and history behind the world of theater. Explore the playwriting process first-hand, learn about the cultural impact of performance, and read and perform some of the most influential works of the 20th century.
Here’s a handy guide to some basic stage directions, the most common parts of a theater, and different types of theater spaces
Audio, video, animation, photography, and technology. From Depression-era images that captured the attention of a nation, to student-produced videos on local artists, to how to make your own blood and guts special effects, explore the ever-changing world of media arts.
The Vice President of Education is generously endowed by the
Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.
Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;
Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..
The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.