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Earl “Snakehips” Tucker Dancer


Dubbed the “Human Boa Constrictor,” Earl Tucker invented a dance called the “Snakehips” in the early 1930s.

Tucker enjoyed patronizing Harlem music clubs. At one of them, the Savoy Ballroom, his unusual style of dancing—a sort of shimmy that relied heavily on wiggling hips—attracted a great deal of attention.

Tucker danced with so much fluidity and flexibility that he appeared to lack a skeleton. He made quite a name for himself on the club circuit, then parlayed that popularity into performances at Connie’s Inn and the Cotton Club.

The dancer’s renown (or notoriety, depending on your view) reached its apex in 1935, when he appeared in a ten-minute film entitled Symphony in Black: A Rhapsody of Negro Life. The bulk of this short feature focuses on Duke Ellington composing at the piano, crosscut with shots of the bandleader’s orchestra playing an elaborate Ellington composition that interprets aspects of African American life. Those segments included teenager Billie Holliday singing the blues, and “Snakehips” Tucker demonstrating his eclectic and eccentric style of dance.

A logo banner that says “Drop Me Off in Harlem” in white font on top of a transparent image of the Cotton Club. The Cotton Club image is obscured by a soft mixture of green, yellow, and pink.

I n t e r s e c t i o n s

A black-and-white photo of the face of musician Duke Ellington.

He appeared in the film Symphony in Black with Duke Ellington.

A black-and-white photo of the inside of Connie’s Inn. There are several round tables, each with four chairs, surrounding a centralized empty dance floor.

Tucker performed at Connie’s Inn.

A black-and-white photo of the exterior of the Cotton Club, including its marquee sign.

He appeared on the stage of the Cotton Club.

A black-and-white photo of the exterior of Savoy Ballroom, including its marquee sign.

He frequented the Savoy Ballroom.

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Video Bio

Video Bio

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