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Fletcher Henderson Jazz Bandleader, Arranger, Pianist


Although Fletcher Henderson moved to New York intending to become a chemist, he wound up mixing sounds, not compounds. Chemistry work was hard to come by, so Henderson took piano-playing gigs with various big-band jazz groups.

In January 1924, he landed a job at a well-known dance hall, the Roseland Ballroom. There Henderson and his orchestra pioneered a new sound that paired perfectly with the latest dance crazes, notably the Lindy Hop.

When arranger Don Redman joined Henderson, their combined genius helped usher in the Swing Era’s “big-band sound,” which featured complex exchanges among the reed, brass, and rhythm sections—a significant advance from the traditional jazz reliance on instrumental solos.

Written solos added harmonic depth to this new musical formula. The solos may have sounded improvised, but every note had been carefully scored. One example is his 1926 arrangement of “The Henderson Stomp” (below), which featured Fats Waller on the piano. Redman’s genius shined in this composition, in which he innovatively incorporated Harlem stride (characterized by a syncopated rhythm played by a pianist’s left hand).

A black-and-white photo of jazz bandleader, arranger, and pianist Fletcher Henderson. He wears a white suit with a black bowtie and holds the stand to an old school microphone.
The Music of
Fletcher Henderson


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  • “Harlem Madness”

A true jazz visionary, Henderson hired such up-and-coming talents as Louis Armstrong, Lester Young, and Coleman Hawkins to play in his orchestra. He also earned respect for jazz from the national public and from the “Talented Tenth” (a phrase for the concept of an elite group of highly educated Black leaders), who often disregarded jazz tunes for not being “serious” music.

A logo banner that says “Drop Me Off in Harlem” in white font on top of a transparent image of the Cotton Club. The Cotton Club image is obscured by a soft mixture of green, yellow, and pink.

I n t e r s e c t i o n s

A black-and-white photo of singer Bessie Smith.

Bessie Smith often sang with Henderson’s Orchestra.

A black-and-white exterior photo of the Dunbar Apartments building.

He lived in the Dunbar Apartments.

A black-and-white photo that shows the bottom half of a record.

He was recording manager at Pace Phonograph Company.

A black-and-white photo of the exterior of Savoy Ballroom, including its marquee sign.

Henderson’s Orchestra competed in the Savoy Ballroom’s Battle of the Bands.

A black-and-white photo of dancer Bill Robinson.

Bill “Bojangles” Robinson danced with the orchestra at an NAACP benefit.

A black-and-white photo of jazz pianist, vocalist, and composer Fats Waller.

Pianist Fats Waller jammed with the orchestra.

A black-and-white photo of singer and actress Ethel Waters.

Singer Ethel Waters taught Henderson how to accompany her voice.

harlem-line.jpg


Video Bio

Video Bio

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