²ÝÝ®ÊÓƵÃâ·Ñ°æapp

Antonín DvoÅ™ák Composer


Born in a small town near Prague, Antonín DvoÅ™ák is known to be one of the greatest Czech composers, noted for his attractive melodic compositions and the brilliance of his orchestration. At the age of 16, he studied at the Prague Organ School. There, he was introduced to the works of past great masters as well as to composers such as Robert Schumann and Richard Wagner.

In 1861, DvoÅ™ák joined the National Theatre in Prague as a violist. During this time, he wrote many compositions, but not achieve recognition until 1873 with a performance of his grand patriotic work Hymnus for chorus and orchestra. Composer Johannes Brahms later prevailed upon his publisher to print some of Antonín DvoÅ™ák’s works. Always composing an apparently effortless output of music, including Slavonic Dances in 1878, Antonín DvoÅ™ák soon became a professor of composition at the Prague Conservatory.

In 1884, following a series of trips to London to conduct his own music, he earned a commission to compose The Spectre’s Bride. In 1891, he received an honorary doctorate degree from Cambridge University, the same year he composed the popular Carnival overture. Following successful tours to Russia and Germany, DvoÅ™ák accepted an invitation in 1892 to become director of the National Conservatory of Music in New York City. In 1893, while in the United States, he wrote what is probably his most famous work, the Symphony No. 9 in E Minor, “From the New World.”

He returned to Prague in 1895, where he would later complete Rusalka, the ninth of his ten operas, in 1900. In it, he tells the familiar story of a water nymph who falls in love with a human prince. The following year, he became the director of the Prague Conservatory. He devoted his last years to working on an opera, Armida.

Despite the international recognition he had achieved, DvoÅ™ák lived in relative poverty as a result of unfavorable contracts with his music publishers. He died on May 1, 1904. A national day of mourning was declared and DvoÅ™ák was honored with a burial in Vysehrad Cemetery, where many prominent Czechs are also buried.

A black-and-white vintage image of Czech composer Antonin Dvorak. He is a white man with a thick beard and dark hair. He wears a dark jacket with a light stripe pattern, a matching vest, and a white dress shirt. He also wears a polka-dotted cravat or scarf tied into a bow underneath his dress shirt’s collar.


Video

Video

Related Resources

Collection Opera

Get out your opera glasses and prepare to take a look at the history and evolution of an art form over four hundred years old. Learn how singers train and condition their voices, become familiar with some of the stage’s most tragic love affairs, and discover how theatre and music combined can tell epic stories in unforgettable ways.

  • Opera

Collection Classical Music

Meet great composers, explore the vast musical world of the orchestra, study the science behind the instruments, and discover how classical music is anything but boring.

  • Orchestral Music
  • Chamber Music

Collection Great Composers

Get inside the mind of a composer—from a popular song, to a Broadway musical, to a symphony, how does a composer write music?

  • Composers

Media Instrument Spotter’s Guide

You might see some of these instruments when you come to the Kennedy Center, watch a performance by your school band, or at any other concert you attend! Click the slides to learn more about some of the most frequently spotted instruments in each family.

  • Music
  • Musical Instruments
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

Connect with us!

spacer-24px.png                email.png

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education. The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.

Gifts and grants to educational programs at the Kennedy Center are provided by A. James & Alice B. Clark Foundation; Annenberg Foundation; the Andrew W. Mellon Foundation; Bank of America; Bender Foundation, Inc.; Capital One; Carter and Melissa Cafritz Trust; Carnegie Corporation of New York; DC Commission on the Arts and Humanities; Estée Lauder; Exelon; Flocabulary; Harman Family Foundation; The Hearst Foundations; the Herb Alpert Foundation; the Howard and Geraldine Polinger Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The King-White Family Foundation and Dr. J. Douglas White; Laird Norton Family Foundation; Little Kids Rock; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation;

The Morris and Gwendolyn Cafritz Foundation; Music Theatre International; Myra and Leura Younker Endowment Fund; the National Endowment for the Arts; Newman’s Own Foundation; Nordstrom; Park Foundation, Inc.; Paul M. Angell Family Foundation; The Irene Pollin Audience Development and Community Engagement Initiatives; Prince Charitable Trusts; Soundtrap; The Harold and Mimi Steinberg Charitable Trust; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; UnitedHealth Group; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Dennis & Phyllis Washington; and Wells Fargo. Additional support is provided by the National Committee for the Performing Arts.

Social perspectives and language used to describe diverse cultures, identities, experiences, and historical context or significance may have changed since this resource was produced. Kennedy Center Education is committed to reviewing and updating our content to address these changes. If you have specific feedback, recommendations, or concerns, please contact us at [email protected].