²ÝÝ®ÊÓƵÃâ·Ñ°æapp

Georges Bizet Composer


Born into a musical family in 1838, Georges Bizet inherited his parents’ talents, learning to read and write music by age four. Georges had the huge honor of being admitted into the Paris Conservatoire de Musique at nine years old. Bizet continued to awe people when he wrote his first symphony at the age of seventeen for a class assignment at the conservatory. As a city known for high fashion, fine food, and culture, Paris was the perfect place for a young composer because it attracted talented musicians and eager audiences.

As a young man, Bizet worked at the Opéra Comique, where he learned about the backstage, sets, lights, performers, and musicians. However, when the curtain went up for the premier of Carmen, people were shocked and dismayed by the dramatic and risqué story. In fact, Carmen did not gain popularity until after Bizet’s early death at age thirty-seven in 1875. Even though Carmen is now considered a classic in opera repertoire, Georges Bizet died thinking his work was a complete disaster.

Operas by Georges Bizet

  • Le docteur Miracle, 1857; Bouffes-Parisiens, Paris
  • Don Procopio, 1906; Monte Carlo
  • Ivan IV, 1946; Mühringen Castle, Württemberg
  • Les pêcheurs de perles, 1863; Théâtre Lyrique, Paris
  • La jolie fille de Perth, 1867; Théâtre Lyrique, Paris
  • Marlbrough s’en va-t-en guerre, 1867; Théâtre Athénée, Paris
  • La coupe du roi de Thulé, (excerpts) 1955; BBC Radio, London
  • Noé, 1885; Karlsruhe
  • Djamileh, 1872; Opéra-Comique, Paris
  • L’Arlésienne, 1872; Théâtre Vaudeville, Paris
  • Carmen, 1875; Opéra-Comique, Paris

bizet-georges.jpg


[click a title below to play]

  • The Pearl Fishers - Presented by Washington National Opera, host Saul Lilienstein takes you through the musical world of Bizet’s 1863 opera.
  • Carmen - Presented by Washington National Opera, host Saul Lilienstein takes you through the musical world of Bizet’s 1875 opera.


Video

Video

Related Resources

Media Carmen

A quick overview of Bizet’s 1875 fiery tragic opera.

Media Opera's Late Romantic Era: 1865-1920

Uncover the driving forces behind opera’s fiercest era, including Europe’s semi-unhealthy obsession with death, desire, and nationalist identity—all of which sparked a wild streak of artistic innovation and some truly iconic music for the stage.

Collection Opera

Get out your opera glasses and prepare to take a look at the history and evolution of an art form over four hundred years old. Learn how singers train and condition their voices, become familiar with some of the stage’s most tragic love affairs, and discover how theatre and music combined can tell epic stories in unforgettable ways.

  • Opera
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

Connect with us!

spacer-24px.png                email.png

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education. The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.

Gifts and grants to educational programs at the Kennedy Center are provided by A. James & Alice B. Clark Foundation; Annenberg Foundation; the Andrew W. Mellon Foundation; Bank of America; Bender Foundation, Inc.; Capital One; Carter and Melissa Cafritz Trust; Carnegie Corporation of New York; DC Commission on the Arts and Humanities; Estée Lauder; Exelon; Flocabulary; Harman Family Foundation; The Hearst Foundations; the Herb Alpert Foundation; the Howard and Geraldine Polinger Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The King-White Family Foundation and Dr. J. Douglas White; Laird Norton Family Foundation; Little Kids Rock; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation;

The Morris and Gwendolyn Cafritz Foundation; Music Theatre International; Myra and Leura Younker Endowment Fund; the National Endowment for the Arts; Newman’s Own Foundation; Nordstrom; Park Foundation, Inc.; Paul M. Angell Family Foundation; The Irene Pollin Audience Development and Community Engagement Initiatives; Prince Charitable Trusts; Soundtrap; The Harold and Mimi Steinberg Charitable Trust; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; UnitedHealth Group; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Dennis & Phyllis Washington; and Wells Fargo. Additional support is provided by the National Committee for the Performing Arts.

Social perspectives and language used to describe diverse cultures, identities, experiences, and historical context or significance may have changed since this resource was produced. Kennedy Center Education is committed to reviewing and updating our content to address these changes. If you have specific feedback, recommendations, or concerns, please contact us at [email protected].