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Supporting Your Young Artist: Young Adult Artists, Living an Artistic Life
Encouraging the arts for college students

College is the first time many students are on their own. During the college years, young adult artists connect with an artistic community, develop personal and creative points-of-view, and cultivate skills necessary for a life in the arts.

Features of these ages:

College-aged students grow from their teenage musings of “Who am I?” to budding adult statements of “This is who I am as a person and an artist.” College education is as much personal exploration as it is skill development and refinement. And because independence from the family unit is an important change for college students, a community of peers is central, both personally and artistically.

The arts at this stage:

Dance

  • Professional-level training and employment can be an option for young adults who have danced since childhood.
  • Interdisciplinary coursework, where dance meets other disciplines such as music or history, challenge young adult dancers to attain a richer foundation in the art form.
  • Young adults who pursue dance as a profession are likely to have a non-traditional work life after college. Courses in personal finance and small business management can be very beneficial in building a career in dance.
  • Dance is good for young adults’ reasoning. The physical activity of formal or casual dance study may have cognitive benefits for the brain, which continues to develop through college. Partner dance, such as ballroom dancing, is a popular social activity among young adults.

Music

  • Most colleges and universities offer students the opportunity for both formal and informal music participation. Students will find ways to make music both in and out of class.
  • The collegiate music student should develop the ability to self-evaluate his/her performance. Music instructors support students in developing this competency. In addition, students should actively give and receive peer feedback.
  • Mastering music technologies, such as editing software, will be a useful addition to the music student’s toolbox.
  • Whether as performers, composers, or audience members, college students benefit from exposure to a wide range of musical genres.

Theater

  • College-aged theater students often experiment with artistic expression. Theater is frequently an outlet for exploring ideas and issues that are of personal interest.
  • Theater students may explore and test traditional conventions and boundaries of the art form, producing work that may be highly unconventional.
  • Young artists often benefit from investigating different responsibilities within a theatrical production. This versatility contributes to collaboration and opens doors to previously undiscovered possibilities.
  • Young adult theater artists benefit greatly from observing and working with master artists.

Visual Arts

  • Art students may find that college is an opportunity to explore new ideas, skills, media, and methods, and to develop an aesthetic point-of-view.
  • Visual artists at this age are able to move past their teenage focus on the end product and begin to embrace the uncertainty of the artistic process.
  • Visual art students can benefit from getting to know other art students. This community of artists is where they can explore, discuss, and critique each other’s ideas and work.

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  • Writer

    Patti Saraniero

  • Editor

    Lisa Resnick

  • Producer

    Kenny Neal

  • Updated

    January 16, 2020

Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

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Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.