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Kennedy Center Education Learning Guide

Rehearsal: Doña Perón

Event Information

Ballet Hispanico

Rehearsal: Doña Perón

Enjoy an insider’s look at our visiting companies as they prepare onstage for performance.

For over 50 years, innovative New York–based Ballet Hispánico has been bringing communities together to celebrate and explore Latinx cultures through dance. Last seen at the Kennedy Center in 2013, Ballet Hispánico returns with internationally-renowned choreographer Annabelle Lopez Ochoa’s Doña Perón—her first evening-length work for the company. Fresh from its world premiere to audiences in spring 2022, Doña Perón is an explosive portrait of Eva “Evita” Perón, one of the most captivating and controversial women in Argentinian history. Ochoa explores Evita’s diverging legacies in her invigorating new work set to live music by Peter Salem. Even as she rose up the ranks from dancehall performer to Argentina’s First Lady, Evita concealed a secret past. In her rags-to-riches life that ended suddenly at 33, was she a voice for the people or a deceitful actress?

November 30, 2022

This event is no longer available. Registration for this event has closed. 

Opera House, recommended for grades 5-12

What to Watch for & Think About at a Ballet Rehearsal

  • At an open rehearsal, audiences are invited to watch the final stages of preparation before opening night. You will be able to watch as the artists and technicians work out the final details of their production.
  • While the details can change based on what the cast and crew need to be ready, most rehearsals include a full run-through of the piece, with occasional stopping and starting. Watch carefully during these breaks and think about the full elements of a production.
  • Although a rehearsal is often very similar to a performance, it’s possible there will be some differences, like some performers will be conserving their physical movements for the real thing or some costumes may be getting their finishing touches off stage. And staff and technicians may be in view, observing and making notes that you might not see during a performance.
  • Even though the performance is not quite ready, why do you think the company would want to invite an audience to see a rehearsal?

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