Curated by Social Practice Resident, Samora Pinderhughes The Healing Project Exhibit
Hall of States & Welcome Pavilion
Explore The Healing Project Exhibit. The Healing Project is an arts organization based in New York City, originally conceived as a project in 2014 by composer, multidisciplinary artist, and activist Samora Abayomi Pinderhughes. The Healing Project creates artistic works, collective healing spaces, and advocacy initiatives in partnership with individuals impacted by structural violence to build a world based around healing rather than punishment.
The Healing Project is an arts organization based in New York City, originally conceived as a project in 2014 by composer, multidisciplinary artist, and activist Samora Abayomi Pinderhughes. The Healing Project creates artistic works, collective healing spaces, and advocacy initiatives in partnership with individuals impacted by structural violence to build a world based around healing rather than punishment.
The Healing Project was conceived in 2014, when artist and activist Samora Pinderhughes set out to interrogate systemic oppression and articulate paths to individual and communal healing by bringing together the stories of people impacted by structural violence.
At the time, Pinderhughes was studying with mentor Anna Deavere Smith, who invited him to make an interview-based artistic work after studying her legendary method. What began as a small experiment of 10 interviews in Oakland, Richmond, and San Francisco, expanded into a six-year process of recording testimonials from over 100 intergenerational voices across 15 U.S. states. These conversations reflect the complex realities of trauma in our narrators’ communities while highlighting methods of care that help them survive, recover, and flourish. They serve as the thematic and sonic backbone of The Healing Project’s work. Now The Healing Project’s artistic works take multiple forms, from songs and short films to paintings and mixed media objects. We create art that challenges our society’s reliance on criminalization and punishment as a response to harm.
The Healing Project provides a searing examination of structural violence in the United States and amplifies our narrators’ powerful stories to illuminate a different way forward. The Healing Project is a palpably empathetic endeavor, uniting those who have been silenced with storytellers to create deeply affecting art and inspire action rooted in connectivity, compassion, and beauty.
Artist Statement
The Healing Project is a project I’ve been working on for 10 years, and it’s my try at speaking directly to the many damages that our society’s systems of prison, detention, and structural violence do to people, and to the many beautiful, different and deep ways that people figure out how to heal themselves and others from the things that they go through, in spite of it all. It’s a testament to resiliency, imagination, honesty, and complexity. This is a spiritual project – it’s about the deep levels we have to access to get through the things that hurt us in life; about how much our current and historical American systems (particularly the prison industrial complex) rob us of all the true ways to take care of ourselves and each other; and about how the folks that truly have all the answers we seek are the very people that are never given the power in our society. It’s about abolition and revolution; it’s about death, grief, loss, and process; it’s about anger, and hurt, and sadness; it’s about love, and relationships, and friendship; it’s about identity, and power; it’s about honesty, accountability, understanding, and forgiveness; it’s about messiness; and it’s about purposefully upending all the current systems to create new ones.
This constellation of pieces that you see, hear, and feel here is the result of the hard and careful and passionate work of over 100 people around the country who courageously and beautifully shared their stories with this project, and over 50 different artistic contributors who helped me bring these stories & ideas to life.
A key question that has shaped this project is: What if we could build a world around healing?
My hope is that, as you listen to these voices, observe these pieces, and experience this art, you will TAKE NOTES on the truths that folks are telling and the ideas they generously share about how to build spaces and processes for healing. The answers, the solutions that we claim to be searching for, are right here. They are known and understood and practiced EVERY DAY by folks who have had to figure these things out by necessity, from everything they’re dealing with. But that’s never where we as a society go to find them – we worship politicians, we worship celebrities, we listen to policymakers – but we don’t listen to the youth, we don’t listen to the incarcerated, we don’t listen to the folks who have actually been through all the stuff that we claim to want to solve.
This project also tries to approach many interlocking issues and realities at the same time – because I believe very strongly that it’s all tied together! We can’t solve one thing without actually dealing with how all these structural violences are interconnected. Policing is connected to incarceration, is connected to detention, is connected to surveillance, is connected to gentrification, is connected to capitalism, is connected to violence, is connected to loss, is connected to grief, is connected to hurt. And the same goes for solutions; they have to be wide-ranging and link many things together in order to truly have lasting effects.
I think what folks are dealing with on a daily basis, and how our society doesn’t honor and admit this, or make space for it - is something that can only truly be reflected through direct testimony and through art. Seeing how the entire history of popular American media is built around stereotyping black & brown & poor people, and criminalizing and dehumanizing them, this project is built as an offering, a counter-narrative to that – and in so doing, I’m not trying to hero-ize anybody; I’m trying to SHOW THAT EVERYONE IS COMPLEX AND HUMAN AND MULTIDIMENSIONAL; that every single one of us has every type of emotion and character inside of us! I want to destroy the binary of good and bad. This is not a project about innocence! It is a project about messiness, about mistakes, about process, about being a full person, and about reckoning with what has happened to you and what you have done and where all of it comes from.
This project is built to tear down the stereotypes about incarcerated people, the lies that say they’re not brilliant and creative, that they’re isolated from the world of ideas, that they’re not kind and gentle and loving, or that they’re unfeeling. It also shows how people change over time – and how we have to make room for those changes, and for understanding where folks are at. Some people in our society are allowed to do that, while others are punished for the decisions they make before they’ve been allowed to change and grow and bloom.
This is also fundamentally an abolitionist project. I believe deeply in the abolition of the entire prison industrial complex and of racial capitalism, and I believe deeply in revolution over reform. Through these pieces I seek to condemn the policies. practices, and structures (both physical & ideological) of this nation. I hope this project can contribute to the ongoing struggle towards an abolitionist future. I thank Mariame Kaba, Angela Davis, Ruth Wilson Gilmore, Robin DG Kelley and Cedric Robinson for their daily inspiration and teachings in these areas.
This is a COMMUNITY project - between all the folks that told their stories and worked on the pieces, over 150 total collaborators gave of themselves for this project. It is 1000% as much their project as it is mine.
Lastly, I want to dedicate this work to several folks who have passed on since I started this project, and who I hope to especially honor through it:
This major permanent exhibit in the massive roof-level Atrium will explore Kennedy’s appreciation and promotion of the arts and why the Kennedy Center came to be the living memorial to him and his ideals.