What's the Story?
Romeo and Juliet is not just the story of two lovesick teenagers. It is the story of two lovesick teenagers whose relationship is—here’s the source of the tension—forbidden. Both Romeo Montague and Juliet Capulet come from wealthy families in the kingdom of Verona (in our Italy), but the families have been fighting bitterly for years. In fact, the play begins with members of the two families brawling in the streets.
When Romeo sneaks into the Capulet family’s ball, he meets and dances with the lovely Juliet. Romeo is so enamored of her beauty that he sneaks into the family’s garden so he can look up at her balcony, where Juliet stands.
“But soft, what light through yonder window breaks?” he asks himself of Juliet’s bright beauty. “It is the East, and Juliet is the sun.”
Juliet stands right above him, but Romeo decides not to let his presence be known. He admires how Juliet’s star-like eyes “twinkle in their spheres.” He watches her movements closely. “O, that I were a glove upon that hand,” he yearns, “That I might touch that cheek!” Likewise, he marvels at her voice. “O, speak again, bright angel,” he implores.
And she does—about him!
“O Romeo, Romeo, wherefore art thou Romeo?” Juliet asks. (“Wherefore” means “why,” so Juliet is not asking where Romeo is but why he is who he is.) So here it is—the sticking point: “’Tis but thy name that is my enemy,” she says. Romeo is a Montague and, therefore, an enemy of the Capulet family. A relationship between the two teenagers would never be accepted by their families.
But Juliet opposes the feud. “What’s in a name?” she asks. “That which we call a rose by any other word would smell as sweet. So Romeo would, were he not Romeo called.”
Her interest in Romeo is clear and, at last, he speaks from the darkness.
Juliet is not nearly as freaked out you might expect, given that Romeo has scaled walls and risked his life to linger under her balcony.
As Romeo puts it, “stony limits cannot hold love out.”
As the more practical Juliet puts it, “If [my kinsmen] do see thee, they will murder thee.”
The two teens flirt and talk of romance. But given how little they know of each other, Juliet expresses concern about their connection. “It is too rash, too unadvised, too sudden,” she worries.
Romeo presses Juliet for a deeper pledge—and she admits her feelings for him are “as boundless as the sea.”
Then, her nurse calling for her, she must leave Romeo. But she can barely stand to leave Romeo. “Parting is such sweet sorrow,” she laments.
They will not be separated for long. Romeo and Juliet arrange that a secret communication will take place the next day—if he truly loves Juliet, Romeo will send her a message asking for her hand in marriage.
But here’s the catch—actually, here are several catches:
- Juliet’s family wants her to marry Paris, a count.
- Because of the feud, Romeo and Juliet’s families would never approve of their relationship.
- Juliet’s cousin Tybalt finds out that Romeo attended the ball and wants to fight him.
Now, the two do a decent job of avoiding problems 1 and 2. It turns out the marriage to Paris won’t happen for a little while. Meanwhile, Romeo and Juliet sneak around their families and find Friar Lawrence, who’s willing to help the pair marry in secret.
They almost avoid problem 3 as well. Romeo refuses to fight Tybalt. All’s well? Not quite. Romeo’s friend Mercutio decides to fight Tybalt in Romeo’s place. It’s a bloody mess. Romeo tries to break up the fight, but he’s too late. Tybalt has killed Mercutio. And in response, Romeo kills Tybalt.
So now, not only is Romeo off limits to Juliet because he’s a Montague, he’s also forbidden because he’s a cousin-killer. Oh, and he’s not just forbidden. He’s officially exiled.
Remarkably, this doesn’t stop Friar Lawrence from devising a scheme to help Romeo and Juliet reunite.
Friar Lawrence’s plan is untraditional, to say the least: It involves drugging Juliet so that she looks dead, leaving her in a crypt, and leading Romeo to her so that he can be there when (and if) Juliet wakes up.
Naturally, since this is a tragedy, Romeo only hears about part of the plan, misunderstandings lead to additional deaths, and—in a strange twist—the Montagues and Capulets make up at the end, though it’s too late for our young lovers.