²ÝÝ®ÊÓƵÃâ·Ñ°æapp

Paul Robeson Actor, Singer, Activist


Perhaps the most famous African American actor of the early 20th century, Paul Robeson rose to prominence during the Harlem Renaissance.

Robeson took a roundabout route to the stage. His father, a formerly enslaved person who had gone on to earn a degree in theology from Lincoln University, instilled a keen social awareness in the younger Robeson.

After attending Rutgers University in New Brunswick, New Jersey (where he earned All-American honors on the football field and Phi Beta Kappa honors in the classroom), Paul graduated as the valedictorian of his class in 1919. From that springboard he entered Columbia University, where he earned a law degree in 1923.

By day, Robeson worked as a lawyer in the New York law office of Stotesbury and Miner. Encouraged by his wife, Essie, he also moonlighted as an actor in local YMCA productions. The overt racism that Robeson experienced in the law office [and his passion for acting] convinced him to take up acting full-time.

In 1921, Robeson joined the chorus of the landmark musical Shuffle Along. Three years later, he braved death threats to star in Eugene O’Neill’s All God’s Chillun Got Wings, which featured an interracial romance. Later that same year, Robeson played the lead role of O’Neill’s The Emperor Jones (1924) in the London production of the play; he would also star in the 1933 film version.

Robeson distinguished himself and his profession by achieving spectacular success in stage and film roles that had previously been off limits to Black actors. His legendary performances in ShowboatOthello, and the Oscar Micheaux film Body and Soul became benchmarks by which later generations of actors would measure themselves. As Robeson’s acting career ushered him around the globe, he became a passionate and outspoken advocate of civil rights and social justice. Several bitter run-ins with racism led him to a flirtation with communism—and resulting banishment from the stage. After living in Great Britain from 1958 to 1963, Robeson returned to the States and lived out his life in obscurity and ill health.

A logo banner that says “Drop Me Off in Harlem” in white font on top of a transparent image of the Cotton Club. The Cotton Club image is obscured by a soft mixture of green, yellow, and pink.

I n t e r s e c t i o n s

A black-and-white image of filmmaker Oscar Micheaux.

Robeson appeared in a film by Oscar Micheaux.

A black-and-white photo of actor and singer Charles Gilpin.

He assumed the title role of The Emperor Jones from Charles Gilpin in London.

A black-and-white photo of jazz lyricist, composer, and pianist Eubie Blake.

He appeared in the original stage production of Eubie Blake’s Shuffle Along.

A black-and-white photo of dancer, singer, and actress Florence Mills.

Robeson’s co-star in Shuffle Along was Florence Mills.

A stylized illustration created by Aaron Douglas.

He attended the first awards dinner thrown by Opportunity magazine.

harlem-line.jpg

Video Bio

Video Bio

Related Resources

Media August Wilson + Fences

A look at innovative African American playwright, August Wilson, his cycle of 10 plays, and his critically-acclaimed family drama, Fences.

  • Theater
  • Plays
  • Playwrights
  • African-American History

Media Musical Theater in America

Learn about musical theater using examples from Broadway, the history, structure and elements of musical theater, musical theater's role in social commentary, its legacy, and how you too can create a musical.

  • Theater
  • Musical Theater

Exploring August Wilson's 20th Century

As part of ²ÝÝ®ÊÓƵÃâ·Ñ°æapp's 2008 August Wilson's 20th Century festival, this discussion examines the value and impact of the work of playwright August Wilson.

  • Theater
  • Playwrights
  • Diversity & Inclusion
  • Plays
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

Connect with us!

spacer-24px.png                email.png

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.