Article Using the Arts to Support English Language Learners
Enhancing instruction with performing, visual and language arts can build skills, confidence, and understanding for English Language Learners.
Poetry and puppetry are two art forms that encourage use of language. Poetry opens the door for students to play with words and apply them to different forms of poems, such as a haiku poem. Puppetry enables students to use language orally and build confidence in their speaking and communication skills. Both can help form the wings students must earn for their learning to take off.
Writing poetry is akin to playing with words, and all children learn from and thrive upon play. When students write poetry, they are paying close attention to words and choosing them carefully. Because poetry doesn’t rely on grammar and syntax in the same way that writing a book report or paragraph does, it can often feel much more welcoming to students—the rules of language usage are essentially suspended. Reading poetry is also very attractive to English language learners (ELL’s) because the meaning of lines or poems can have multiple interpretations. As a result, students can grapple more with uncovering meaning, rather than worrying whether they have something “right” or “wrong.”
In the first lessson, it’s important to introduce students to fun poems. I like the poetry of Shel Silverstein and other short poems from numerous collections. You may also contact your school or local librarian for guidance.
Then, it’s extremely helpful for students to first create a word bank, which may be done in several ways. It can be as easy as asking the students to start writing or saying words they think are interesting. You might ask them to look in a text or chapter book to find their interesting words. You can write the words on the board or have the students write them on slips of paper and place them into a basket.
Ask your students to start putting words together based on a theme (could be anything from a science project to family to emotions). Model an example poem on the board or do one together. If students are struggling with words, then you can suggest they revisit the word bank or word basket.
In the second and third lessons, I introduced similes. Students used their word list from the first lesson to draft very short poems, then expand them in a second draft.
Topic: Family
Activities Two and Three: Create a simile with one of your family words.
Simile: My brothers are like spiderwebs.
Brainstorm: spiderwebs
spider, tarantula, cockroach, webs, sticky, Dracula
First Draft:
My brothers are like spiderwebs walking up
and down the house. they look like
spiders when they walk, they look like
draculas with their two front teeth
they are sticky when they eat. they
look like tarantulas when they crawl.
Second Draft:
My Brothers
My brothers are like
spiderwebs walking up
and down the
house.
They look like spiders
when they walk.
They look like Draculas
with their two
front teeth.
They are sticky when
they eat.
They look like tarantulas
when they crawl.
They are cockroaches eating
everything.
They are webs when
they are asleep.
-Raquel
You can see what wonderful playfulness occurs when children are given the freedom to play with words. You can almost imagine being in the room with Raquel’s sticky brothers! There are so many possibilities with different poetry, topics, and imaginations. In fact, my students have always loved writing poems and reading them aloud with two voices—which connects well with studying puppetry.
Puppetry is a useful tool for teaching speaking and communicating skills because students can use their puppets as their voices. Using puppets can help melt away trepidation for reluctant speakers. I’ve used puppetry in many circumstances, from depicting stories from the language arts reading curriculum to original puppet shows on themes like bullying or immigration. Unique to puppetry (and theater) is that students can become someone or something other than themselves. A shy student can try on the role of the mighty lion, or the outgoing student might play the meek little mouse.
Students’ filters with regard to their communication skills are often dropped when they have a puppet in front of them. Since it is no big deal for the puppet to have an accent or hesitate with a word, students often feel much more comfortable and are willing to practice verbal communication via the puppets. It is an engaging activity that can help develop students’ language skills, confidence, and self-esteem. It also teaches students valuable lessons about the arts—including the roles of discipline and practice—and specific theater skills, such as creating character, projecting one’s voice, creating a setting, interacting with other actors (puppets), and performance skills.
Both poetry and puppetry can provide children with creative tools to inspire and apply learning in a meaningful manner. Using these artistic tools builds students’ confidence as they gain new vocabulary. You don’t need to feel confident yourself as a poet or puppeteer to open these techniques to your students. However, once you begin to work with your students, and write original poems or perform with your students in a puppet show, you just might surprise yourself with your creative abilities.
Writer
Merryl Goldberg
Editor
Katie Freeman
Producer
Joanna McKee
Updated
January 13, 2020
Sources
Enhancing instruction with performing, visual and language arts can build skills, confidence, and understanding for English Language Learners.
How theater and visual arts can help to engage your students to read.
Learn about ways to increase student participation and skill building during interactive read-alouds.
How to incorporate dance into a traditional English classroom.
Sogolon is the puppet show and theatrical company created by Yaya Coulibaly in order to perpetrate and promote the Mali puppet tradition. The group's core mission is to contribute to develop and promote the Bamanan-Somono-Bozo puppet show.
Together with his team of adorable "Foamies," Hobey makes animals of all sorts emerge in movement and music to form a full-on puppet ballet.
Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.
Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;
Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..
The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.