²ÝÝ®ÊÓƵÃâ·Ñ°æapp

A sketch by novelist H. G. Wells.

  • Young Artists
  • Critique

Teaching Students about Self-Assessment in the Arts
Introduce young artists to the process of self-assessment through observation and reflection.

Lesson Content

Artists rarely present their first sketches as the final product. Rather, art is made through experimentation and editing. Reflection and revision drive the process. History is littered with sketches and drafts of noted artists’ early stages of their work.

Researchers and educators agree that self-assessment is a necessary and important component of quality classroom arts assessment. Self-assessment is authentic assessment—it mirrors the “real-world” work done by professional artists. Student self-assessment can take many forms and are typically formative assessments. Journals, recordings, sketches, and discussions are a few of the available tools.

Steps in the Process

Eric Booth, in his book The Everyday Work of Art, notes that as part of the creative process, artists will first observe and then make judgments and provide interpretations. Observation is the crucial first step. The book Studio Thinking documents a two-step process in student reflection. “Learning to reflect” is one of the habits cultivated in strong visual arts classrooms. In the first step, Question and Explain, students describe their art-making process. In the second step, Evaluate, students judge their own work and others. The first step is necessary in this reflection process; students must understand the specifics of their own work process in order to evaluate the effectiveness of their art.

Setting Goals, Making Progress

Self-assessment is a useful tool in the artistic process by delineating progress toward goals. Arts Propel, an arts assessment project at Harvard, identified “the ability to articulate artistic goals” as a component of student reflection. Self-assessment also helps students self-regulate (Andrade & Valtcheva, 2009). In other words, self-assessment helps students understand where they are in relation to the goals they have set for themselves. Practicing a musical instrument is a self-assessment opportunity that music educator Darren Johnson (Johnson, 2009) uses with his students. They have to set goals, come up with strategies to meet those goals, and ensure progress is being made.

Growing Towards Artistic Independence

Self-assessment offers a number of benefits to student artists. First, it encourages them to understand their own learning. Second, it can also increase student motivation and ownership over their own learning. Even the youngest students can self-assess meaningfully as long as it is taught in developmentally appropriate ways (Bingham, Holbrook & Meyers, 2010). And, lastly, self-assessment contributes to student artistic autonomy. Music teachers Connie Hale and Susan Green identified that using self-assessment in their curricula led their own students to greater musical independence. Their students were better able to make their own corrections and judgments about quality after self-assessing (Hale & Green, 2009).

Self-assessments take time and most students need instruction in how to utilize them well. Structuring self-assessments with rubrics or writing prompts and then providing feedback focuses students. It is not uncommon for students to warm slowly to self-assessment. It is still a relatively underused approach, but practice makes perfect.

Kennedy Center Logo

  • Writer

    Patti Saraniero

  • Producer

    Joanna McKee

  • Updated

    November 15, 2019

  • Sources

     

     

Lesson Creation Myth Play Scripts

In this 9-12 lesson, students will explore different cultures’ supernatural explanations for human existence. They will make comparisons between creation myths then write an original creation myth play script to perform for an audience.

  • Grades 9-12
  • Script & Playwriting
  • Myths, Legends, & Folktales
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

Connect with us!

spacer-24px.png                email.png

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education. The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.

Gifts and grants to educational programs at the Kennedy Center are provided by A. James & Alice B. Clark Foundation; Annenberg Foundation; the Andrew W. Mellon Foundation; Bank of America; Bender Foundation, Inc.; Capital One; Carter and Melissa Cafritz Trust; Carnegie Corporation of New York; DC Commission on the Arts and Humanities; Estée Lauder; Exelon; Flocabulary; Harman Family Foundation; The Hearst Foundations; the Herb Alpert Foundation; the Howard and Geraldine Polinger Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The King-White Family Foundation and Dr. J. Douglas White; Laird Norton Family Foundation; Little Kids Rock; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation;

The Morris and Gwendolyn Cafritz Foundation; Music Theatre International; Myra and Leura Younker Endowment Fund; the National Endowment for the Arts; Newman’s Own Foundation; Nordstrom; Park Foundation, Inc.; Paul M. Angell Family Foundation; The Irene Pollin Audience Development and Community Engagement Initiatives; Prince Charitable Trusts; Soundtrap; The Harold and Mimi Steinberg Charitable Trust; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; UnitedHealth Group; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Dennis & Phyllis Washington; and Wells Fargo. Additional support is provided by the National Committee for the Performing Arts.

Social perspectives and language used to describe diverse cultures, identities, experiences, and historical context or significance may have changed since this resource was produced. Kennedy Center Education is committed to reviewing and updating our content to address these changes. If you have specific feedback, recommendations, or concerns, please contact us at [email protected].