²ÝÝ®ÊÓƵÃâ·Ñ°æapp

A young woman displays her photography at a student showcase. .

  • Critique
  • Community

Going Public
Sharing students’ creative work: why, when, and how.

Lesson Content

You’ve got a great group of creative kids and someone other than you should know about it, right? Lots of educators seem to be publishing their students’ work, but how are they doing it? Here’s what you need to know to get your students’ work out into the world.

Why?

Why publish your students’ work? There are lots of reasons for choosing to publish.

Motivation

Perhaps the biggest reason is to motivate your students. We teach our students that creative work is intended for an audience, whether it is writing, visual art, photography, video, theater, or dance. Students know that their work has little audience outside of you, their classroom, and their parents. Offering students a larger audience increases their motivation for creative work and often the quality of the work itself.

Self-confidence

When you choose to publish a student’s work, it sends the message that you believe the work to be valuable and worth sharing with others. Seeing a project come to completion through publishing gives students a sense of accomplishment, boosting their self-confidence, which can spill over into all areas of the students’ lives.

Inspiration

We often think of inspiring our students, but forget our students’ ability to inspire. Your students likely inspire you on a daily basis. Why not let them inspire others? Children aren’t just the adults of the future, they are people in the here and now. They have something to contribute to the world around them. Let their voices be heard!

When?

When should be publish students’ work? Consider each of the following before making the decision to go public.

Privacy

Can you safeguard your students’ privacy? Whether publishing on the internet or in a more local forum, it is impotant that you know what information you can and can’t release about a student. You should always check with your administrator before publishing.

Intellectual Property

Even though the work was created in your classroom based on an assignment you created, students own all rights to their creative work. You must have written permission (if the student is under 18, from a parent or guardian) to publish that work on behalf of the student.

The Work Itself

Is the work ready to be published? We shouldn’t publish any and all student work, it must be carefully chosen. Choosing to publish sends a message to the student and others about your opinion of the quality of the work. Be sure that your opinion of the work warrants the compliment you are about to pay it. Only quality work should be published. Publishing sub-standard work sends the wrong message to students about what you expect of them.

How?

So you have chosen student work that you feel is ready to publish. Now what? Here are some resources you can use to find places to publish your students’ work.

 is a huge online student art museum that is in partnership with the National Art Education Association.

 is a site where teen writers and artists can publish, read, and share their work. 

 allows users to create digital portfolios.  It was not created specifically for students, but it does have a limited free version that could be especially useful to older students.

is a social networking service where artists can curate a feed with content related to their art form. 

 allows you to create and print your own magazine, on –demand, with no minimum number to run.

is an online literary platform where high school students around the globe can submit their writing or join an editing team. 

 inspires children through age 13 to publish original art, poetry, and stories. Children can even write reviews.

is a creative writing platform for making visual stories and publishing student work.

is a creative web development platform for building an online presence or portfolio. Intuitive and free. No coding or design skills necessary. 

 

Kennedy Center Logo

  • Writer

    Amy Heathcott

  • Producer

    Joanna McKee

  • Updated

    October 28, 2019 

Article What Do I Say?

For the young theater student, a teacher’s feedback can inspire or crush in a matter of minutes. Learn how to responsibly assess your student’s work.

  • Theater
  • Critique

Lesson Joan Miró and Surrealism

In this 9-12 lesson, students will be introduced to the history and concepts of the Surrealist movement to create original artwork. They will research and present findings of Joan Miró’s art and place within the Surrealist movement. Students will apply methods of Surrealism to create an original painting. 

  • Visual Arts
  • History
  • Grades 9-12
  • Visual Artists

Lesson Five Artists of the Mexican Revolution

In this 9-12 lesson, students will create original artwork demonstrating the style of an early 20th-century artist of the Mexican Revolution. They will research how art was influenced or created in response to major events, artists, and personalities of the Mexican Revolution.

  • Visual Arts
  • History
  • Grades 9-12
  • Visual Artists
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

Connect with us!

spacer-24px.png                email.png

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education. The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.

Gifts and grants to educational programs at the Kennedy Center are provided by A. James & Alice B. Clark Foundation; Annenberg Foundation; the Andrew W. Mellon Foundation; Bank of America; Bender Foundation, Inc.; Capital One; Carter and Melissa Cafritz Trust; Carnegie Corporation of New York; DC Commission on the Arts and Humanities; Estée Lauder; Exelon; Flocabulary; Harman Family Foundation; The Hearst Foundations; the Herb Alpert Foundation; the Howard and Geraldine Polinger Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The King-White Family Foundation and Dr. J. Douglas White; Laird Norton Family Foundation; Little Kids Rock; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation;

The Morris and Gwendolyn Cafritz Foundation; Music Theatre International; Myra and Leura Younker Endowment Fund; the National Endowment for the Arts; Newman’s Own Foundation; Nordstrom; Park Foundation, Inc.; Paul M. Angell Family Foundation; The Irene Pollin Audience Development and Community Engagement Initiatives; Prince Charitable Trusts; Soundtrap; The Harold and Mimi Steinberg Charitable Trust; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; UnitedHealth Group; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Dennis & Phyllis Washington; and Wells Fargo. Additional support is provided by the National Committee for the Performing Arts.

Social perspectives and language used to describe diverse cultures, identities, experiences, and historical context or significance may have changed since this resource was produced. Kennedy Center Education is committed to reviewing and updating our content to address these changes. If you have specific feedback, recommendations, or concerns, please contact us at [email protected].