²ÝÝ®ÊÓƵÃâ·Ñ°æapp

  • Music
  • Community
  • Advocacy

Know the Score
Doing your part to build a great school music program

As parents, we recognize the value of steady and consistent progression in math or English. So why not have the same expectations for music? A child who learns to keep a steady beat on a hand drum in first grade could be playing complex classical works nine years later in high school.

Studies at Harvard University show that students with three or more years of musical study outperform their nonmusical peers in a wide range of cognitive areas. If music education benefits our children’s overall achievement, doesn’t this suggest our children should be doing more musically in school than singing carols in the holiday concert?

A high-quality music education program includes a comprehensive, sequential curriculum guided by academic content standards. Set by state education departments and the local school board the curriculum provides adequate instructional time and resources, is taught by a qualified music teacher, and tracks both student achievement and teacher success. These programs not only help students learn musical concepts, but they also instill confidence and discipline, teach teamwork and risk taking, improve aural and visual acuity, and improve verbal and cognitive processing.

Get on the Band Wagon

How can you effectively advocate for high-quality music education in schools? And how can you help your local school music teacher build a great music program?

Start by letting your school music teacher know that you appreciate what they already do to bring music to students. Tell them you understand the value of music education to the overall quality of a child’s education. Communicate that you are ready to help improve music education in any way that you can. Ask them what you can do to help. Just be combining forces with arts teachers, you can be more effective than approaching administrators or school boards alone.

Real Action Steps

Next, become informed about the current status of your school’s program. Ask questions aimed at understanding the goals of the school’s existing curriculum. Are students receiving music instruction based on state standards that define what children should know and be able to do at each grade level? How many hours or days a weekdo children receive music instruction? Ask the music teacher or principal about the adequacy of time and resources compared to state expectations of what must be taught.

Then, talk to the music teacher about current support for the music program. Do the music teachers have up-to-date music textbooks, classroom musical instruments, and CDs of music from cultures around the world? The school budget alone probably doesn’t provide all the funding necessary to adequately support the school music program. Learn how your local school system works and whether resources are distributed equitably to the music program compared to other state-mandated curriculum. And even become a participant in fundraising efforts to enhance school music opportunities.

Make Noise Outside the Classroom

A high-quality music program should include experiences with musicians and community music organizations. Do students participate in activities such as a yearly field trip to an orchestra hall for a symphony concert? Many arts organizations bring professional musicians and ensembles into schools to present performances, classroom visits, and workshops. And some offer professional development opportunities for teachers as well as opportunities for students to participate in youth orchestras and children’s choruses outside the school.

Make a strong connection with your school music teacher by sharing your commitment to ensure the quality of music education. Show your appreciation of the work already being done. Stay in touch and keep an open line of communication so you can respond to needs that may come up during the year. And look for new opportunities to support the music program and become an advocate for music education.

To learn more about advocacy for music education consider the following resources:

Kennedy Center Logo

  • Writer

    Gary De Vault

  • Editor

    Katie Freeman
    Corey Madden

  • Producer

    Kenny Neal

  • Updated

    January 15, 2020

Related Resources

Article In Harmony

Doing your part to build a great school music program

  • Music
  • Community
  • Advocacy

Article Make Music Matter in Your Home

Looking to sign your child up for music classes? These seven tips will make sure she starts off her musical career on the right note

  • Music
  • Young Artists
  • At Home

Article The Many Gifts of Music

Research shows that making music exercises the brain in ways science is only beginning to understand

  • Music
  • Life Skills
  • Advocacy

Article Performing Under Pressure

Helping your child through the thrills (and chills) of musical competitions

  • Music
  • Young Artists
  • Creativity

Article Private Lessons

The benefits of private music lessons go beyond the additional instruction your child receives

  • Young Artists
  • At Home
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

Connect with us!

spacer-24px.png                email.png

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education. The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.

Gifts and grants to educational programs at the Kennedy Center are provided by A. James & Alice B. Clark Foundation; Annenberg Foundation; the Andrew W. Mellon Foundation; Bank of America; Bender Foundation, Inc.; Capital One; Carter and Melissa Cafritz Trust; Carnegie Corporation of New York; DC Commission on the Arts and Humanities; Estée Lauder; Exelon; Flocabulary; Harman Family Foundation; The Hearst Foundations; the Herb Alpert Foundation; the Howard and Geraldine Polinger Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The King-White Family Foundation and Dr. J. Douglas White; Laird Norton Family Foundation; Little Kids Rock; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation;

The Morris and Gwendolyn Cafritz Foundation; Music Theatre International; Myra and Leura Younker Endowment Fund; the National Endowment for the Arts; Newman’s Own Foundation; Nordstrom; Park Foundation, Inc.; Paul M. Angell Family Foundation; The Irene Pollin Audience Development and Community Engagement Initiatives; Prince Charitable Trusts; Soundtrap; The Harold and Mimi Steinberg Charitable Trust; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; UnitedHealth Group; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Dennis & Phyllis Washington; and Wells Fargo. Additional support is provided by the National Committee for the Performing Arts.

Social perspectives and language used to describe diverse cultures, identities, experiences, and historical context or significance may have changed since this resource was produced. Kennedy Center Education is committed to reviewing and updating our content to address these changes. If you have specific feedback, recommendations, or concerns, please contact us at [email protected].