Article Arts Integration Resources
This collection on arts integration draws from more than a decade of the Kennedy Center’s efforts to clarify arts integration principles and implement best practices.
Arts integration topics are developed in one of two ways.
By connecting a specific arts focus with:
For further explanation, for "Explore the Definition" and go to the section "Which connects an art form and another subject area."
What is a specific arts focus?
Arts integration connections are built with a specific arts focus rather than a general one. For example, rather than trying to make a connection to “theater,” it is more productive to make a connection to a specific area within theater—for example, “story dramatization,” “role play,” or “script writing.” Instead of making a connection with “visual art,” it is more helpful to be specific—for example, “weaving,” “collage,” or “illustration.” Similarly, instead of planning a connection with “music,” it is more helpful to use “song writing” or “rhythm.”
What is a specific curriculum area or specific area of concern/need?
Arts integration connections are built with a specific curriculum area or a specific concern/need.
For example, instead of connecting to “history,” the connection could be to “the Revolutionary War” or “American migration in the early 1900s.” When connecting to a specific area of concern/need, instead of “character education,” the connection could be to “bullying” or instead of “social skills” the connection could be to “collaboration.”
In sum, arts integration topics are created by connecting a specific arts focus with a specific curriculum area or a specific concern or need.
Examples by Art Form
Click on an art form listed below to see examples of specific arts focuses and examples of specific connections to curriculum and concerns/needs.
Writers
Lynne B. Silverstein
Editors & Producers
Amy Duma
Kenny Neal
Works Cited
Updated
January 14, 2020
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Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;
Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..
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