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Rehearsal: Porgy and Bess

Wed. May 21, 2025 7p.m.

Event Information

  • Genre

    Performances for Young Audiences

Several chorus performers of a “Porgy and Bess” production dance in pairs onstage during a picnic scene. They wear light-colored celebration outfits, such as long dresses, pants and buttoned-down shirts, and straw hats.
WASHINGTON NATIONAL OPERA

Rehearsal: Porgy and Bess

Enjoy an insider’s look at our companies as they prepare onstage for performance.

It’s “summertime, and the livin’ is easy” in Catfish Row, a working-class fishing town in South Carolina. When a murder shakes the community and tempts Bess to return to her drug-filled past, Porgy becomes her unlikely refuge. As a hurricane descends and Bess’ violent old flame returns, she’ll find herself torn between Porgy’s steadfast love and the demons that tempt her. Artistic Director Francesca Zambello’s adaptation of Gershwin’s landmark “folk opera” returns after playing to critical acclaim across renowned opera stages. Often considered the first great American opera, Porgy and Bess melds jazz, gospel, and folk styles. A new generation of talented singers assembles to take on Gershwin’s beloved music, from the gentle duet “Bess, You Is My Woman Now” to the instantly recognizable “Summertime” lullaby. Themes of community resilience, acceptance, and redemption weave through this poignant story, ultimately asking if even the most unwavering love can drive out darkness.

Music by George Gershwin. Ira Gershwin and DuBose Heyward. In English with Projected English Titles. Composed 1965. Original WNO Production with Sets from The Glimmerglass Festival. The scenery was originally created for Glimmerglass Festival & Seattle Opera.

May 21, 2025

Opera House, recommended for grades 10-12

Estimated duration is approximately three hours with an intermission.

Learning guide content for this event will be available approximately two weeks before the first performance.

Key Figures

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Each survey will take approximately five minutes to complete. The results will be used to inform future Kennedy Center Education program planning. Thank you in advance for sharing your valuable perspective!

Related Resources

Media Porgy and Bess

A quick overview of Gershwin’s 1935 quintessential American masterpiece.

Media Opera in the 20th Century: 1920-1960

Consider this opera’s “Chaotic Neutral” era. You’ll discover 20th-century operas don’t typically celebrate good or evil: they relish the madness and ambiguity of the in between. Which means their musical storytelling will feel and sound vastly different, depending on who’s doing the telling.

Media Understanding Opera

The history, people, and works behind a thoroughly complex yet totally exhilarating art form

Media The Weird & Wonderful World of Opera

In this entertaining and educational four-part series we introduce the weird and wonderful world of opera - its history, music, styles, genres, and people. Host Peter Michael Marino provides a comprehensive exploration of the world of opera that results in a greater understanding and appreciation of the art form.

Kennedy Center Education 
Building the Future
of Arts Education

Professional development for educators. Summer intensives for young artists. Teaching artist guided activities. Performances for young audiences. Classroom lesson plans. Arts-focused digital media.

Kennedy Center Education offers a wide array of resources and experiences that inspire, excite, and empower students and young artists, plus the tools and connections to help educators incorporate the arts into classrooms of all types.

Our current teaching and learning priorities include:

Digital Resources Library

A robust collection of articles, videos, and podcasts that allow students of all ages to explore and learn about the arts online.

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Current Topics in Arts Integration

Current approaches to arts integration in the classroom, inclusion, rigor, and adopting an arts integration approach at the school and district level.

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An asynchronous online course that invites educators and administrators to think about our students’ disabilities as social and cultural identities that enrich our classrooms and communities.

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Kennedy Center Education

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

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